The influence of Japanese culture within his work unfolds subtly yet consistently: in a commitment to minimalism, a respect for material, and a refined sense of rhythm and pause. This dialogue extends even into Armani/ Fiori, where floral design reflects a deeper philosophy — one closely aligned with the principles of ikebana.
The space itself was reinterpreted and curated by the studio. Vintage Japanese objects from the studio’s collection were introduced, while floral compositions, created in collaboration with мастерами, evoked the fleeting beauty of blossoming sakura — delicate, ephemeral, and almost intangible.
At the heart of the evening was an introduction to the art of ikebana. A master of the Sogetsu school, dressed in traditional kimono, guided guests through its philosophy — one rooted not in decoration, but in perception. Ikebana is not about arrangement, but about presence: each line, each inclination carries meaning, while the space between elements becomes as significant as the elements themselves.
As cultural historian Vsevolod Ovchinnikov observed, in ikebana it is not the composition itself that holds importance, but the pause — the emptiness that allows it to breathe.