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The second limited drop of Alexandra Rakhimova Interiors marked a continued exploration of objects as carriers of atmosphere, ritual, and everyday beauty. This chapter of the collection evolved through a collaboration with the jewellery brand Lhasa, whose philosophy and aesthetic resonate closely with our own. We share a sensitivity to material, to the quiet presence of form, and to Eastern cultural references that reveal their depth gradually — through touch, light, and time.
Alongside the studio’s signature pieces — cashmere and silk travel sets, table linen, bed linen, and trays — the collection was expanded with objects developed in collaboration with Lhasa. This new layer focused on the culture of tea, the art of the table, and the subtle rituals embedded in daily life. The result was a porcelain capsule crafted from fine Chinese porcelain, including teapots, tea sets, ceremonial objects, incense holders, vases, and sculptural serving dishes.
The soft, almost celestial tone of the porcelain was inspired by jade — a central material within Lhasa’s universe. In Eastern philosophy, jade embodies harmony, balance, purity, and quiet strength. These qualities informed the collection: restrained forms, fluid silhouettes, and a sense of calm, measured presence.
Alongside the studio’s signature pieces — cashmere and silk travel sets, table linen, bed linen, and trays — the collection was expanded with objects developed in collaboration with Lhasa. This new layer focused on the culture of tea, the art of the table, and the subtle rituals embedded in daily life. The result was a porcelain capsule crafted from fine Chinese porcelain, including teapots, tea sets, ceremonial objects, incense holders, vases, and sculptural serving dishes.
The soft, almost celestial tone of the porcelain was inspired by jade — a central material within Lhasa’s universe. In Eastern philosophy, jade embodies harmony, balance, purity, and quiet strength. These qualities informed the collection: restrained forms, fluid silhouettes, and a sense of calm, measured presence.
3/9
The presentation took place in early December, just before the New Year — a time that naturally invites reflection, anticipation, and the search for meaningful gifts. Over the course of two days, our studio-apartment on Bryusov Lane was transformed into an immersive, almost theatrical setting where objects, scent, sound, and human interaction came together as a unified experience.
The space was adorned with magnolia branches, sculptural cardboard Christmas trees, and Japanese pine, filling the studio with the vivid scent of fresh greenery. Shelving units — typically occupied by books, materials, and objects of inspiration — were reimagined to display the collection. Guests were invited to engage with the pieces directly: to touch, to observe, to experience them within the intimacy of a lived environment rather than a conventional display.
The scenography extended into finer details. Drawers that usually hold samples and project materials were transformed into small cabinets of curiosity — opening to reveal Japanese vintage ceramics, Lhasa jewellery, and selected objects from the collection. This quiet act of discovery created a more personal, almost intimate encounter with each piece.
The space was adorned with magnolia branches, sculptural cardboard Christmas trees, and Japanese pine, filling the studio with the vivid scent of fresh greenery. Shelving units — typically occupied by books, materials, and objects of inspiration — were reimagined to display the collection. Guests were invited to engage with the pieces directly: to touch, to observe, to experience them within the intimacy of a lived environment rather than a conventional display.
The scenography extended into finer details. Drawers that usually hold samples and project materials were transformed into small cabinets of curiosity — opening to reveal Japanese vintage ceramics, Lhasa jewellery, and selected objects from the collection. This quiet act of discovery created a more personal, almost intimate encounter with each piece.
4/9
At Alexandra’s workspace, a Chinese calligraphy master was invited to personalise cards for guests using traditional techniques. Here, gifts could be completed with handwritten wishes, turning the act of giving into a more thoughtful and deliberate gesture. Each purchase was wrapped using the furoshiki technique, with carefully selected vintage fabrics, adding a final tactile and visual layer to the experience.
A dedicated area presented Japanese vintage ceramics alongside Lhasa jewellery, further emphasising the dialogue between interior and jewellery design. In the living room, the collection of silver teapots — also created in collaboration — became the focal point for a live tea ceremony.
For this, we invited Ruslan, a tea master from Krasnaya Polyana and founder of the tea house Tish, who conducted ceremonial tea sessions throughout both days. Guests were invited to sit, observe, and participate — to slow down and experience the rhythm of the ritual through movement, taste, and conversation.
The experience was complemented by confections from our collaboration with Jun and Japanese cold tea by Atz, adding another sensory layer to the event. The air was filled with the subtle scent of incense, while the live sound of a handpan instrument created a soft, meditative atmosphere that resonated throughout the space.
A dedicated area presented Japanese vintage ceramics alongside Lhasa jewellery, further emphasising the dialogue between interior and jewellery design. In the living room, the collection of silver teapots — also created in collaboration — became the focal point for a live tea ceremony.
For this, we invited Ruslan, a tea master from Krasnaya Polyana and founder of the tea house Tish, who conducted ceremonial tea sessions throughout both days. Guests were invited to sit, observe, and participate — to slow down and experience the rhythm of the ritual through movement, taste, and conversation.
The experience was complemented by confections from our collaboration with Jun and Japanese cold tea by Atz, adding another sensory layer to the event. The air was filled with the subtle scent of incense, while the live sound of a handpan instrument created a soft, meditative atmosphere that resonated throughout the space.
6/9
Over the course of the two days, the studio took on a different rhythm. Guests lingered — not only to explore the collection or select gifts, but to spend time within the environment, to connect, and to experience the atmosphere as a whole.
This, for us, was the true intention of the event: not simply to present a collection, but to create a space where objects, rituals, and human presence come together as a lived experience.
In this sense, the pop-up became an extension of our philosophy — one where home, object, and culture exist in quiet continuity, and where beauty reveals itself through attention, tactility, and the presence of the moment.
This, for us, was the true intention of the event: not simply to present a collection, but to create a space where objects, rituals, and human presence come together as a lived experience.
In this sense, the pop-up became an extension of our philosophy — one where home, object, and culture exist in quiet continuity, and where beauty reveals itself through attention, tactility, and the presence of the moment.
8/9
9/9
Story of an Object
Behind many works of art lie personal stories — quiet, unfolding over time, shaped by memory and meaning.
A Sculpture by Nadya Likhogrud
A Story Written in Walls
Designing a children’s room calls for a particularly delicate sensibility — one that balances clarity with softness, structure with imagination.
Where imagination
becomes space
becomes space
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Коллекция, ритуал и атмосфера дома
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Предновогодний pop-up
The second limited drop of Alexandra Rakhimova Interiors marked a continued exploration of objects as carriers of atmosphere, ritual, and everyday beauty. This chapter of the collection evolved through a collaboration with the jewellery brand Lhasa, whose philosophy and aesthetic resonate closely with our own. We share a sensitivity to material, to the quiet presence of form, and to Eastern cultural references that reveal their depth gradually — through touch, light, and time.
Alongside the studio’s signature pieces — cashmere and silk travel sets, table linen, bed linen, and trays — the collection was expanded with objects developed in collaboration with Lhasa. This new layer focused on the culture of tea, the art of the table, and the subtle rituals embedded in daily life. The result was a porcelain capsule crafted from fine Chinese porcelain, including teapots, tea sets, ceremonial objects, incense holders, vases, and sculptural serving dishes.
The soft, almost celestial tone of the porcelain was inspired by jade — a central material within Lhasa’s universe. In Eastern philosophy, jade embodies harmony, balance, purity, and quiet strength. These qualities informed the collection: restrained forms, fluid silhouettes, and a sense of calm, measured presence.
Alongside the studio’s signature pieces — cashmere and silk travel sets, table linen, bed linen, and trays — the collection was expanded with objects developed in collaboration with Lhasa. This new layer focused on the culture of tea, the art of the table, and the subtle rituals embedded in daily life. The result was a porcelain capsule crafted from fine Chinese porcelain, including teapots, tea sets, ceremonial objects, incense holders, vases, and sculptural serving dishes.
The soft, almost celestial tone of the porcelain was inspired by jade — a central material within Lhasa’s universe. In Eastern philosophy, jade embodies harmony, balance, purity, and quiet strength. These qualities informed the collection: restrained forms, fluid silhouettes, and a sense of calm, measured presence.
3 октября 2026
The presentation took place in early December, just before the New Year — a time that naturally invites reflection, anticipation, and the search for meaningful gifts. Over the course of two days, our studio-apartment on Bryusov Lane was transformed into an immersive, almost theatrical setting where objects, scent, sound, and human interaction came together as a unified experience.
The space was adorned with magnolia branches, sculptural cardboard Christmas trees, and Japanese pine, filling the studio with the vivid scent of fresh greenery. Shelving units — typically occupied by books, materials, and objects of inspiration — were reimagined to display the collection. Guests were invited to engage with the pieces directly: to touch, to observe, to experience them within the intimacy of a lived environment rather than a conventional display.
The scenography extended into finer details. Drawers that usually hold samples and project materials were transformed into small cabinets of curiosity — opening to reveal Japanese vintage ceramics, Lhasa jewellery, and selected objects from the collection. This quiet act of discovery created a more personal, almost intimate encounter with each piece.
The space was adorned with magnolia branches, sculptural cardboard Christmas trees, and Japanese pine, filling the studio with the vivid scent of fresh greenery. Shelving units — typically occupied by books, materials, and objects of inspiration — were reimagined to display the collection. Guests were invited to engage with the pieces directly: to touch, to observe, to experience them within the intimacy of a lived environment rather than a conventional display.
The scenography extended into finer details. Drawers that usually hold samples and project materials were transformed into small cabinets of curiosity — opening to reveal Japanese vintage ceramics, Lhasa jewellery, and selected objects from the collection. This quiet act of discovery created a more personal, almost intimate encounter with each piece.
At Alexandra’s workspace, a Chinese calligraphy master was invited to personalise cards for guests using traditional techniques. Here, gifts could be completed with handwritten wishes, turning the act of giving into a more thoughtful and deliberate gesture. Each purchase was wrapped using the furoshiki technique, with carefully selected vintage fabrics, adding a final tactile and visual layer to the experience.
A dedicated area presented Japanese vintage ceramics alongside Lhasa jewellery, further emphasising the dialogue between interior and jewellery design. In the living room, the collection of silver teapots — also created in collaboration — became the focal point for a live tea ceremony.
For this, we invited Ruslan, a tea master from Krasnaya Polyana and founder of the tea house Tish, who conducted ceremonial tea sessions throughout both days. Guests were invited to sit, observe, and participate — to slow down and experience the rhythm of the ritual through movement, taste, and conversation.
The experience was complemented by confections from our collaboration with Jun and Japanese cold tea by Atz, adding another sensory layer to the event. The air was filled with the subtle scent of incense, while the live sound of a handpan instrument created a soft, meditative atmosphere that resonated throughout the space.
A dedicated area presented Japanese vintage ceramics alongside Lhasa jewellery, further emphasising the dialogue between interior and jewellery design. In the living room, the collection of silver teapots — also created in collaboration — became the focal point for a live tea ceremony.
For this, we invited Ruslan, a tea master from Krasnaya Polyana and founder of the tea house Tish, who conducted ceremonial tea sessions throughout both days. Guests were invited to sit, observe, and participate — to slow down and experience the rhythm of the ritual through movement, taste, and conversation.
The experience was complemented by confections from our collaboration with Jun and Japanese cold tea by Atz, adding another sensory layer to the event. The air was filled with the subtle scent of incense, while the live sound of a handpan instrument created a soft, meditative atmosphere that resonated throughout the space.
Over the course of the two days, the studio took on a different rhythm. Guests lingered — not only to explore the collection or select gifts, but to spend time within the environment, to connect, and to experience the atmosphere as a whole.
This, for us, was the true intention of the event: not simply to present a collection, but to create a space where objects, rituals, and human presence come together as a lived experience.
In this sense, the pop-up became an extension of our philosophy — one where home, object, and culture exist in quiet continuity, and where beauty reveals itself through attention, tactility, and the presence of the moment.
This, for us, was the true intention of the event: not simply to present a collection, but to create a space where objects, rituals, and human presence come together as a lived experience.
In this sense, the pop-up became an extension of our philosophy — one where home, object, and culture exist in quiet continuity, and where beauty reveals itself through attention, tactility, and the presence of the moment.
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